![]() ![]() Photograph © Hiraki Sawa and Parafin, London Hiraki Sawa, Drawing for Man in Camera, Man in Camera, 2016, Ink drawing on giclée print, 75 x 95 mm An audio of sounds and poetry accompanies you on your way through the crumbling grave stones whereĮxtract from Cairn poem by Holly Corfield Carr When the video closes, it is time to take a piece of Portland Stone from the gallery and follow the route to the bell tower. The dedication of the work coupled with the clinking of the stones creates an almost monastic ambience. Smaller stones, now audible above the din of the water clink melodically. It takes a long time to cut but implores you to see it through. A large cutting wheel saws its way through an enormous block of stone. The scene changes to the site of the Albion Stone workshop where water cascades over the vast blocks of stone. The Player can still knockout the Camera even after they escaped by knocking off the Jail Door.Courtesy of the artist and commissioned by SPACE.The Jail will make noise regardless if the Security Camera is on or off, making it best to knock out Granny first. ![]()
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